Sumerian Anunnaki

It was a very strange RV session, because its result completely differs from common patterns and views. As it turned out after the fact, we were studying the Sumerian Anunnaki gods. Meanwhile, the creatures we saw are completely different from the images in bas-reliefs and cuneiform descriptions on clay tablets, although their appearance is very "familiar" and present even in pop culture.

I present my report here, but 2 other viewers described exactly the same features as me, so it was not just my imagination or "missing the target".

At the end of the article, I paste drawings from several other sessions with a similar theme, which are strongly consistent with the current one and confirm the new theory of the appearance, appearance and origin of these creatures.

Update: 2 years after the first session we explored this topic again (Session #2). I am totally surprised because I saw very similar looking creatures! What's better: their image matches the session about the Bermuda Triangle 😮...
"They are like the creators of the SIMS in the game: puppet masters, controlling the rod and the mannequin on strings. I think I see their true appearance, without filters, masking, hologram. They influence all times, generate and control events, reality. Eternal and primeval beings."
There is also a mysterious process of capturing negative energies, perhaps souls?

Session #1:

The first and most important piece of information I received was the connection between the creatures and the rock art of primitive cultures:

• Aboriginal rock art, primitive representations of gods drawn on rocks,
• the impression of cave paintings, like those from the Lascaux cave in France,
• beings from the stars according to Dogon mythology,
• association with Anunnaki with bags in their hands (phew, fortunately, it hits the target 😋),

About the drawing: after a week something occurred to me, that I had seen this object between subjects before: such a "cross" or a device, perhaps technical. And here I am, I found it:

The appearance of the entities is quite specific:

• these entities are strange, long, tall, elongated, slender, bent, white,
• the silhouettes seem humanoid, but they could just as well resemble cephalopods, such as cuttlefish or octopuses with long tentacles,
• impression of softness, lack of hard shell, armor or bones, amorphous, shape-shifting,
• the impression of lack of solid form, fluidity, limpness, fit, masking: either a physical feature or holographic technology,
• fluid, changeable, flaccid, watery, soft, fills the occupied space, adapts to the shell, suit,

The idea of ​​a "hard" and very physical hologram appears, an incredible technology of 3D travel or dimensional penetration, materialization:

• empty, there is really nothing inside, projection, hologram,
• there is something different on top than underneath,
• a hologram showing a different image on the outside, adapted to the level of the recipient,
• I have the impression that it materializes in physicality out of nowhere, appears, thickens, and only after it thickens does it seem to be present in 3D,
• it is interesting that this materialization can be a form of travel, moving over great distances in space and time, then there is no need for metal space vehicles,
• technology enables apparent transfer, appearance, experience in another reality, electromagnetic waves thicken and create a 3D hologram, the sender is somewhere else,
• enables interactions in another place and time, with other beings, on other planets,
• transparent, I fly through, I penetrate the "body", the impression of "skin" and emptiness inside,
• I see the muscle structure, the circulatory system, but it is not as hard and dense as ours, human, it is soft, misty, made of smoke,
• as if local atoms from a given environment, a planet, had been arranged for a certain period of time, programmed into structures, tissues, only to later fall apart again into chaos, into the original building material,
• membrane on the outside like a cell membrane, inside fluid, plasma,
• an inflatable balloon, it lengthens, shortens, becomes flaccid, flies in the wind like a flag,
• an inflatable paper puppet flutters in the wind, tosses in all directions, flutters, dances, gently, fluid, uncoordinated movements,
• I have the impression that they can appear out of nowhere, thicken, materialize, simulate any form,
• on the outside they will look like any other on the street, but on the inside it will be visible that the body lacks "hardness", perhaps when touched or by some internal examination,

But what is most surprising is the appearance of their head and face:

• elongated face, wide head, narrow jaw, triangular or inverted pear,
• standard, narrow, dark, black eyes without pupils, they can be glasses, goggles, spectacles,
• I look at the face as a mask, associated with a gas mask, but also as a tight suit, a helmet, a second skin,
• tall gray faces, shapeshifters,

It follows that the popular grey appearance is just a suit or even a "hard" hologram! However, this makes a lot of sense if the ancient astronauts visiting us are not from Earth and need to isolate themselves from their surroundings for their own safety and survival.

Similar beings have "visited" me before during an RV session. I concluded then that they did not like the subject whose secrets I was investigating. Fortunately, I was able to drive them away very easily. At that time, they were "small" grays, much less independent than the "tall" ones.

An article: Membrane, barrier, veil of oblivion, capsule of recalling memories.

An article: Gallery of extraterrestrials from the RV session.

Anyone interested in ancient Sumer, Sitchin etc. knows who the god Enki was: theoretically one of the Anunnaki. We've already studied him several times on different occasions, I'll write an article soon about where we suspect he still lives 🤫 (Antarctica and Enki's ship). Enki and Anunnaki sometimes look like humans, but check out my latest (and oldest in the series) drawing: he's 1.5 years old since this RV session!

Continued in article: Antarctica and Enki's ship.

Session #2:

 

• small, twisted, undeveloped, weak, very indistinctly outlined. Delicate, indecisive, you can gently push it and it will fall apart, it will not exist,
• energy is horizontal: neither good nor bad, so indifferent,
• a buzzing sound, like that of a swarm.
• metallic taste, lots of red color,

M (Monitor): focus on the entities that are the subject of the research objective

• AOL: some association with a crowd, a swarm of insects. AOL: a hive, a swarm of bees, little individual consciousness, a lot of collective, group consciousness. When I enter the swarm, I lose myself with them, I fly, I wave, I don't think, I only react. It's a pleasant and safe feeling. There is no responsibility, no stress, I'm not important in the swarm, it's the swarm that is important.

M: hmmm, ok, look for entities outside the swarm, the swarm is probably not a direct target

• I return to the vague and weak loop: liquid is pouring out of it. AOL: such a bowl, sink, water container, baptismal font. The water flows out of nowhere, because the liquid is flat, it looks like a horizontal Stargate,
• AOL: some religious association with Catholicism, church, conclave,
• this whole object is somehow barely outlined physically, as if ethereal, from the fog, barely materializing. Energy entities can jump into this liquid, disappear in it. The liquid collects energies, accumulates them. These energies are somehow intelligent, but I can barely sense them, we will not reach an agreement,

M: ok, focus the study on physical, intelligent non-human beings that are the target of the study,

• physical beings stand in the shadows, behind the scenes, hiding. In the light I see this scene with liquid and etheric energies. Long, thin, slender, heads like skulls, dark eye sockets. The beings from the shadows gather some energy, they need it,

M: How tall are these creatures, approximately?

• tall, thin, slender, hidden in the shadows, I don't see people for comparison, but I estimate that they are over 2m. The entities deliberately hide, camouflage, do not want to reveal themselves in the visible world. When I approach them behind the curtain, I look into their dark eyes, and they send me luminous sparks of anger. They are not able to harm me, they are simply irritated that I see them. I fly around them, they follow me with their eyes. I feel that they do not like it, that I caught them taking this energy,

M: Are they physical?

• when I send energy from the light of the heart towards them, it hits them and they bend in half, it does not serve them,
• they act as if they were hidden behind a curtain, a barrier, maybe a dimension, a screen. I move mentally, maybe even astral, then I see them,

M: Do these characters have anything to do with antiquity?

• I don't see it in this scene, I have to think about it. This screen looks like a screen of changing dimensions or simulations. They can have insight or influence on a time other than their own. From behind the screen they can control events in another time, like the creators of the simulation. I look at the screen from the other side, from their side: everything can be changed according to their will, like on a monitor in a computer, as if they were watching the Earth in different times, maybe ancient, maybe present, or maybe future. The common feature is the desire to extract energy from all times, places, events - these etheric energies, it charges them in some way, powers them,

M: Ok, a hint, but I think it will be useful: the goal has an Anunnaki connection. Focus on that. (Usually the Monitor does not reveal the target during the session)

• The Anunnaki may be these behind-the-scenes beings in their original form, outside of the Earth simulation. They are like the creators of the SIMS in the game. I see them as puppet masters, controlling a stick and a mannequin on strings. I think I see their true appearance, without the filters, the masking, the hologram,

M: examine the current time (generally contemporary) and see if there is any influence

• they influence all times, generate and control events, reality. Eternal and eternal beings like those from the movie "John Carter from Mars (Barsoom)",

M: What are they trying to achieve?

• benefit for themselves, energy, power supply. They take as much as they can. Man does not count for them, he is a source of power, breeding,

M: What kind of energy were they pulling?

• I see it as ethereal arrows, mists, spirits, energies. Such an association with souls after death, but only with bad and low energies that are caught in this liquid. Souls that did not let themselves be ensnared by low earthly energies, are inaccessible to them,

M: Ok, let's do an experiment: focus your attention now on your Higher Self, on your own timeless version, and ask for the answer to the question posed in the purpose you are to explore today.

• a bit of a good-evil, hell-heaven valuation in a simplified way. The Higher Self doesn't want to have anything to do with them, cuts itself off from them, feels a kind of reluctance and compassion or even disgust. It doesn't feel like participating in their activities, it feels a bit of sympathy for them, but it's more disgusted. I don't feel such positive feelings as the Higher Self usually seems to have. It sends them such a big ball of light on its way out and turns away, doesn't want to associate with them,